September 2019
Vol. 25 No. 3; September 2019
There are a lot of compelling and fascinating arguments for this kind of program featuring harpsichordist Rebecca Cypess and fortepianist Yi-heng Yang. Yet the recital justifies itself entirely on musical grounds.
CD Review: Bachs On Harpsichord And Fortepiano Read More »
A new recording by Simon Murphy and the New Dutch Academy includes world-premiere recordings of three symphonies and Stephen Storace’s aria “Domestic Peace,” as well as the first recording of Carl Friedrich Zelter’s Concerto in E-flat for Viola and Orchestra on period instruments.
CD Review: Classical Obscurities Elegantly Shaped Read More »
On their new recording, ‘Out of Italy,’ Phoebe Carrai and Beiliang Zhu have created a rich, extraordinarily performed program of Baroque and early Classical works
CD Review: Baroque Cellists Reach The Heights Read More »
“Ein feste Burg ist unser Gott,” a hymn virtually synonymous with Lutheranism, opens BWV 80 and exemplifies the reverent yet uniquely moving aesthetic of this recording by Montréal Baroque under Eric Milnes.
CD Review: Bach’s Luther Cantatas Inspirited Read More »
The Boston-based Renaissance vocal ensemble Exsultemus teams with Newton Baroque for a complete Vespers setting from Johann C. F. Fischer’s Opus 3 of 1701.
CD Review: Fischer’s Gifts Celebrated Read More »
‘Nicandro e Fileno,’ an 1681 comic opera by Paolo Lorenzani, receives a winning account by Le Nouvel Opéra and Les Boréades de Montréal under Francis Colpron.
CD Review: Lorenzani Opera Charms Read More »
The ensemble was created by flutist Suzanne Stumpf and cellist Daniel Ryan to rediscover music of the late 17th through early 19th centuries performed on period instruments in historic venues across the Boston area.
Musicians Of The Old Post Road At 30 Read More »
American countertenor Bejun Mehta and the Akademie für Alte Musik Berlin perform eight full-length cantatas and excerpts that depict pastoral love, deep piety, and bitter jealousy while also demonstrating the flexibility of this popular Baroque form.
CD Review: Cantatas For Countertenor Read More »
Spanish violinist Lina Tur Bonet brings abundant flair to Vivaldi’s demanding ‘Il Grosso Mogul’ concerto, as well as other works by the Italian composer and an excerpt from a concerto by his pupil Johann Georg Pisendel, edited by the master himself.
CD Review: Vivaldian Virtuosity Read More »