Sallynee Amawat, raised in two distinct cultures, is eager to take artistic risks and hungry to link continents and ideas. Her latest projects with Infusion Baroque cover topics as varied as gender, courtly dance, and ‘exoticized’ repertoire.
For a Thai-American Violinist, It’s All About Connections Read More »
We can start to envision a world where ancient music from opposite sides of the globe co-exists on a program, creating and exploring a new definition for historically informed performances. Allowing ourselves to explore different aural palettes enriches us. When we learn about and understand different cultures with open hearts and minds, we begin to appreciate one another.
Canto: Imagine East and West in Song Read More »
Sopranos Maya Kherani and Sherezade Panthaki (at right) and tenor Asitha Tennekoon are among a growing number of South Asian musicians working to promote more diversity in early-music casting and programming while building their own impressive careers. “I knew what it was like to not have role models,” says Kherani. “I thought if I could change that for one young person by being proud and open about my heritage, I should do it.”
South Asian Singers Find a Home in Early Music Read More »
To inaugurate the HBCU Early Music Initiative Project, two of Early Music America’s IDEA Taskforce members, harpsichordist Joyce Chen and viola da gambist Patricia Ann Neely, gave an engaging demonstration on baroque performance practice at Delaware State University. This outreach event was presented to a diverse group of student and community members, including non-majors taking intro to music courses and music majors who are planning on pursuing graduate degrees.
Discovering Baroque Music with the HBCU Early Music Initiative Read More »
As a society, we are finally having conversations that aim to upend systemic injustice. But there’s been curiously little discussion about the ancient hatred of antisemitism, which has seen a resurgence across the political spectrum. Even as American Jewish institutions have come under fatal attack, this conversation has taken a backseat in the early-music community.
Let’s Talk About Antisemitism in Our Field Read More »
