The turbulent life of John Antes, an American of pluck and imagination, is part of global histories on colonialism, revolution, nationalism and religion, and international trade. It reads like an early-music adventure novel.
The Extraordinary Life of One of Colonial America’s Earliest Musicians Read More »
Sallynee Amawat, raised in two distinct cultures, is eager to take artistic risks and hungry to link continents and ideas. Her latest projects with Infusion Baroque cover topics as varied as gender, courtly dance, and ‘exoticized’ repertoire.
For a Thai-American Violinist, It’s All About Connections Read More »
To shed light on the fascinating characters who populated the early Americas’ broad musical landscapes, EMA’s Emerging Professional Leadership Council is pleased to announce the launch of a new digital-essay series, Early Music: the Americas.
EMA’s New Online Series Explores Music Across the Colonial Americas Read More »
Early Music America’s Young Performers Festival and the Emerging Artists Showcase presents some of the most talented and inspiring musicians in North America, this year June 8 – 10, as part of the Berkeley Festival & Exhibition (BFX), which runs a full week starting June 5. The festivities begin with Virtual Showcase on June 1 & 3 via YouTube.
Introducing EMA’s Young Performers Festival and Emerging Artists Showcase Read More »
Fairy tales may seem like an unlikely source for a tragédie lyrique. But Cleveland-based Les Délices, in a newly created production of ‘The White Cat,’ combines the two genres with arresting results. Based on a 1698 fairy tale by the pioneering Madame d’Aulnoy, the English-language opera weaves a story about the virtues of friendship, loyalty, and love through puppets and a pastiche of French Baroque favorites by Lully, Couperin, and other composers.
Virtual Review: Delightful ‘The White Cat’ fairy tale from Les Délices Read More »
