Avery Amereau’s debut solo recording, a collaboration with Philharmonia Baroque Orchestra and Nicholas McGegan, covers Handel’s music for star operatic altos of both sexes.
CD: Rising Contralto Triumphs In Handel Arias Read More »
For her recorded debut, the American violinist performs works from the French composer’s Opus 1 sonatas and comparatively lighthearted trio symphonies.
CD Review: Alana Youssefian Enchants In Music Of Guillemain Read More »
American soprano Kathryn Mueller’s first solo recording focuses on music’s most basic subject and three of the Baroque era’s best-known composers.
CD Review: Intimate Songs In Assured Interpretations Read More »
Violinist Mark Fewer and harpsichordist Hank Knox seize on the variety in Vivaldi’s sonatas to create a sensitive and exciting recital.
CD Review: Vivaldi Violin Sonatas Performed With Flair Read More »
The Boston-based ensembles La Donna Musicale and Rumbarroco, both led by violist Laury Gutiérrez, are featured on their first recording together, ‘Latinas in Fusion.’
CD Review: Colorful Collaboration Cross-Pollinates Over Centuries And Cultures Read More »
Johnny Gandelsman takes these secularly composed, now sacredly received works higher in pitch while keeping the music refreshingly down to Earth.
CD Review: Bach’s Cello Suites Eloquent On Violin Read More »
Violinist Edson Scheid’s liner notes and performances point to obvious excitement at employing a period instrument and historical practices for this music.
CD Review: Violin Virtuosity Beyond Paganini Read More »
Makaris’s debut CD, ‘Wisps in the Dell,’ shows why this repertoire proved so popular with audiences and artists during the 18th century.
CD Review: Ensemble Revels In Traditional Fare Read More »
The recording ‘Vivaldi con amore’ will be the first time most listeners hear violinist Elisa Citterio fill a big podium.
CD Review: Tafelmusik Welcomes New Music Director Read More »
