CD Review: Virtuoso Cellist-Composer Meets Virtuoso Cellist
Canadian cellist Elinor Frey is utterly sensitive to the nuances in the complete works by Antonio Vandini.
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CD Review: Graupner Opera Enchants In Recorded Debut
The Boston Early Music Festival’s recording of ‘Antiochus und Stratonica’ will serve curious listeners and longtime Graupnerphiles well.
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CD Review: Sacred Music From Colonial America
Musicologist Christopher Dylan Herbert researched more than 120 manuscripts at libraries, archives, and private collections across the United States and United Kingdom to find this music.
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CD Review: Soprano Makes Splendid Recording Debut With Vivaldi
The warmth and scale of Myriam Leblanc’s voice conjure up a cozy room with a few close friends rather than an opulent chamber soiree.
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Early And Modern Music Connect Amid Sculptures
The five-concert series “…thus far and no further” incorporates early music alongside contemporary works with a refreshing lack of present-day prejudice.
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CD Reviews: Jommelli’s Requiem Receives Doubly Distinguished Treatment
The 1756 work can be heard on new recordings by the Brussels-based ensemble Il Gardellino, led by Peter Van Heyghen, and the Ghislieri Orchestra and Choir, based in Pavia, Italy, under Giulio Prandi.
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CD Review: Beethoven Piano-Violin Sonatas Receive Vibrant Performances
For violinist Lucy Russell and fortepianist Sezi Seskir’s recorded premiere as a duo, they have selected three works from the mere 10 that Beethoven created for this instrumental combination.
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CD Review: Indianapolis Baroque Orchestra Does Telemann Proud
‘The Colourful Telemann’ encapsulates the composer in vibrant selections and performances. The five orchestral works come from throughout his long life.
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CD Review: Irresistible Recorder Artistry In Diverse Repertoire
Recorder player Tabea Debus has curated a wide-ranging and downright catchy compendium for her instrument. Yet this album’s most addicting quality may be her playing.
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CD Review: Enlightening Account Of Durante Requiem
This immaculate and convincing performance by Astrarium Consort demonstrates obvious knowledge and affection for Francesco Durante’s 1738 creation.
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